James T. Kirk and his fellow novice crew members aboard the Enterprise face the Romulan villain Nero, who seeks revenge against the Vulcan race for an
J.J. Abrams' 2009 feature film was billed as "not your father's
Star Trek," but your father will probably love it anyway. And what's not to love? It has enough action, emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they'll become later. Both a prequel and a reboot,
Star Trek introduces us to James T. Kirk (Chris Pine of
The Princess Diaries 2), a sharp but aimless young man who's prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of
Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the
Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg).
The action and visuals make for a spectacular Big-Screen Movie, though the plot by Abrams and his writers, Roberto Orci and Alex Kurtzman (who worked together on Transformers and with Abrams on Alias and Mission Impossible III), and his producers (fellow Losties Damon Lindeloff and Bryan Burk) can be a bit of a mind-bender (no surprise there for Lost fans). Hardcore fans with a bone to pick may find faults, but resistance is futile when you can watch Kirk take on the Kobayashi Maru scenario or hear McCoy bark, "Damnit, man, I'm a doctor, not a physicist!" An appearance by Leonard Nimoy and hearing the late Majel Barrett Roddenberry as the voice of the computer simply sweeten the pot. Now comes the hard part: waiting for some sequels to this terrific prequel. --David Horiuchi
Stills from Star Trek (Click for larger image)
My disappointment with this movie has a lot more to do than with just the original actors being replaced with new, younger actors. Although, that certainly plays a factor. NONE of the new actors drew me in. None of their performances were truly impressive. They were average actors playing average, and sometimes over-the-top caricatures of the original portrayals of these great and classic characters. I found myself particuarly annoyed by Karl Urban's "Dr. McCoy." He was trying too hard to act the part just like DeForest Kelley. But that's on the low end of my annoyances. Anton Yelchin made me want to plug my ears every time he opened his mouth in his portrayal of "Chekov," and I used to think Walter Koenig was bad. Now I think I can listen to Walter all day long. Simon Pegg's "Scotty" was satisfactory right up until he started to become annoyingly arrogant. John Cho, a Korean-American, as "Sulu?" Really? At least he made virtually no impact in the movie. And why was Zoe Saldana's "Uhura" in this movie at all? Abrams tried way too hard to make her a more significant character than she was before, but instead she came off as nothing but a cliched, stand-in love interest. Eric Bana as the villain "Nero" made no impact. He was perhaps the most boring and non-menacing villain of any of the ones I've seen in all movies, including TNG. A shame, too, because a much better villain could have brought this movie up a few notches. Villains make movies like this....See "Wrath of Khan." Heck, even see "The Undiscovered Country." Plummer was better than Bana. Both Zachary Quinto and Chris Pine were somewhat tolerable as "Spock" and "Kirk," respectively, especially Quinto. Neither seemed over-the-top, and fortunately Pine didn't really try to act the part like Shatner. He'll never be Shatner, or Kirk for that matter.
One more thing to add about the actors is how they leave you with absolutely no feelings for the characters they portrayed. You simply don't care if they get hurt or die because they don't convince you to feel compassion for their plights. Their acting just isn't good enough. That also leads to the complete and total lack of chemistry between them. The original actors, when they got together to make the first "Star Trek: The Motion Picture," had worked together for years on the original series and they formed a true bond that you can't fake on screen.
As for the story itself? Wow, too much to discuss in this review, so I'll keep it short and to the point. There were far too many "conveniences" and cliches in this movie. Want to make sure Character A/B/C takes his/her proper place in the story? No problem, let's kill off this guy, and that girl, and get rid of the Captain in this manner so that so-and-so can take his proper place in the big chair. What's bad is that most of the conveniences take place within seconds, or minutes, all lined up in almost perfect order. (spoilers) What about when Kirk gets stranded with old Spock? Oh boy, we can't see that cliched ice monster(for lack of a better description) coming after him can we? What about the ultra convenience of there being a nearby base that old Spock apparently didn't know anything about(based on his facial expressions when they enter the facility), that somehow allows the story to both introduce Scotty and make sure Kirk and Scotty can get back to the starship at the same time? What luck for Kirk!! Oh, and wasn't old Spock supposed to stay there? And someone please, please tell me, was the little ugly rock-like creature that was some sort of aid to Scotty really necessary? Was he supposed to incite a few giggles and laughs from the audience? EPIC FAIL.
I know I learned from this story that you can plug a black hole with a mining ship like a cork in a water drain, a ship that had previously gone through a black hole without any problems. I also learned that you need to pointlessly blow that ship into bits, although the black hole itself should have torn it apart. I learned that a starship can eject its warp core to blow itself back out of the black hole, and still make its way home in a relatively timely fashion. I learned that a turbo lift from the shuttle bay can make it to the bridge in a matter of about 3 seconds, even though it's supposed to go both virtically and horizontally on its trip there.
This movie boiled down basically to a generic space adventure with some nice visual effects, albeit not nearly as encompassing as the trailers made it look. And on that note, was this Star Trek or Star Wars? Seemed more like Star Wars at times. The movie left me with no feelings one way or another. I didn't like it and I didn't hate it. It was just forgettable, as in one second after the credits started to roll. It's an absurdly overrated film by the critics, most of whom were probably just big fans of Abrams' hit series "Lost." I don't recommend it unless you just want to add it to your Star Trek collection, which is why I bought it.