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Beethoven: Piano Sonatas, Vol. 4
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Released: 2008-05-13 |
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1. Sonata for Piano no 5 in C minor, Op. 10 no 1: 1st movement, Allegro molto e con brio
2. Sonata for Piano no 5 in C minor, Op. 10 no 1: 2nd movement, Adagio molto
3. Sonata for Piano no 5 in C minor, Op. 10 no 1: 3rd movement, Finale
4. Sonata for Piano no 6 in F major, Op. 10 no 2: 1st movement, Allegro
5. Sonata for Piano no 6 in F major, Op. 10 no 2: 2nd movement, Allegretto
6. Sonata for Piano no 6 in F major, Op. 10 no 2: 3rd movement, Presto
7. Sonata for Piano no 7 in D major, Op. 10 no 3: 1st movement, Presto
8. Sonata for Piano no 7 in D major, Op. 10 no 3: 2nd movement, Allegro e mesto
9. Sonata for Piano no 7 in D major, Op. 10 no 3: 3rd movement, Menuetto
10. Sonata for Piano no 7 in D major, Op. 10 no 3: 4th movement, Rondo
11. Sonata for Piano no 15 in D major, Op. 28 'Pastoral': 1st movement, Allegro
12. Sonata for Piano no 15 in D major, Op. 28 'Pastoral': 2nd movement, Andante
13. Sonata for Piano no 15 in D major, Op. 28 'Pastoral': 3rd movement, Scherzo
14. Sonata for Piano no 15 in D major, Op. 28 'Pastoral': 4th movement, Rondo
15. Sonata for Piano no 19 in G minor, Op. 49 no 1: 1st movement, Andante
16. Sonata for Piano no 19 in G minor, Op. 49 no 1: 2nd movement, Rondo
17. Sonata for Piano no 20 in G major, Op. 49 no 2: 1st movement, Allegro ma non troppo
18. Sonata for Piano no 20 in G major, Op. 49 no 2: 2nd movement, Tempo di Menuetto
19. Sonata for Piano no 26 in E flat major, Op. 81a 'Les Adieux': 1st movement, Adagio-Allegro
20. Sonata for Piano no 26 in E flat major, Op. 81a 'Les Adieux': 2nd movement, Andante espressivo
21. Sonata for Piano no 26 in E flat major, Op. 81a 'Les Adieux': 3rd movement, Vivacissimamente
22. Sonata for Piano no 30 in E major, Op. 109: 1st movement, Vivace, ma non troppo
23. Sonata for Piano no 30 in E major, Op. 109: 2nd movement, Prestissimo
24. Sonata for Piano no 30 in E major, Op. 109: 3rd movement, Andante
25. Sonata for Piano no 31 in A flat major, Op. 110: 1st movement, Moderato cantabile
26. Sonata for Piano no 31 in A flat major, Op. 110: 2nd movement, Allegro molto
27. Sonata for Piano no 31 in A flat major, Op. 110: 3rd movement, Adagio ma non troppo
28. Sonata for Piano no 32 in C minor, Op. 111: 1st movement, Maestoso
29. Sonata for Piano no 32 in C minor, Op. 111: 2nd movement, Arietta
Click on Product Listings for Details!
Beethoven: Piano Sonatas, Vol. 4
- Audio CD: 0 pages (2008-05-13)
- Publisher: Harmonia Mundi Fr.
- Label: Harmonia Mundi Fr.
- Format: Import
- Studio: Harmonia Mundi Fr.
- Average Customer Review: based on 3 reviews
- Sales Rank in Music: #7556
Avg. Customer Review:
2 of 3 people found the following review helpful:
Customer Rating: 
Summary: an opus 111 for the ages 2008-06-29
Comment: i have played only the opus 111 sonata no 32 so far but based on that performance alone, this is a must have recording. i would rank this performance right up there with the greats of all time, namely, richter (live), pollini, arrau and michelangeli. the final measures of this, the greatest sonata ever for piano, are simply spellbinding and breathtakingly sublime. i frankly was stunned by the depth of lewis s spiritual insight into this music.
with this recording, lewis has arrived at any early age into the parthenon of great beethoven pianists.
18 of 20 people found the following review helpful:
Customer Rating: 
Summary: Paul Lewis ends his cycle with triumphant playing and recording 2008-05-17
Comment: It took many years for Paul Lewis to move out of the shadow of his teacher and mentor, Alfred Brendel, and -- when you listen to the playing on this three-CD set -- you may think this is Brendel reincarnated. All the benchmarks of Brendel's wonderful mature style -- the subtle humor, moderation, musicianship and lack of excessive self-aggrandizing tactics calling attention to oneself and away from the music -- are on display in this collection.
I bought this set because I like both Brendel and Lewis and because this offering included many of my favorite Beethoven sonatas -- Nos. 7, 15, 26 and 32 -- a group of selections that challenge any player to master Beethoven's youthful fury, midlife wonder and wandering, and his most mature and unrelentingly transcendent music in the final pages of that apocalyptic, other-wordly final sonata.
I was never disappointed in Lewis's playing even though I cannot admit he completely convinced me all the time. I find Sviatoslav Richter the most universally appealing player in this repertory although his recordings can sometimes be very disappointing from either an artistic or sound perspective. Lewis is nothing like that -- assured and temperate all the time, completely obedient to the composer's wishes, and more than satisfactory interpreting the wide-ranging messages inherent in each score.
I can't say I was completely swayed by the sound of the recordings either. While modern and adequate in detail, there was sometimes a boomy effect you might experience listening in a small hall where the reverb is great enough to obstruct what's going on right now. But this is a minor issue in an otherwise splendid recording of some of Beethoven's most personal music.
Anyone interested in Beethoven's piano sonatas that's looking for another perspective should take the leap into Paul Lewis's world. Unless you seek something completely different, I doubt you'll be disappointed for his musicmaking is sober, lyrical, eloquent, expressively iridescent and penetrating without the least bit of inappropriate personalization.
11 of 16 people found the following review helpful:
Customer Rating:
Summary: Excellent conclusion to Lewis' Beethoven cycle 2008-05-16
Comment: Paul Lewis finishes his superb Beethoven sonata series. Consistently fine playing throughout, with Opus 111 a particular highlight. Lewis has given us kind of a modern day Wilhelm Kempff approach to Beethoven. Wonderful lyrical approach, with broad tempos and a powerful technique when called for. Coupled with fine sound, this is a top choice for me for a modern cycle of the greatest piano music ever writen. I am also following Ronald Brautigam's fascinating sonata cycle on forepiano on BIS, which is about mid-point, with the Waldstein and Appassionata due up next.
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